Probstück 22 · English translation

Twenty-second Probstück Annotations §. 1. Right at the beginning it should be noted that where the leap from c# to a# occurs, a b must be played in between the notes as an appoggiatura with a short trill. §. 2. When thereafter everything has been neatly played up to the cadence in the eleventh measure, a melody has to be invented in the right hand and to be continued for about ten measures, up to the subsequent cadence to C#, approximately in the following manner: §. 3. In the 19th measureMeasure 29, with the second si suona, is meant; measure 19 has none., there is again a si suona, of which the meaning is known,Cf. Probstück 5. and where the tutti enters, everything is possible which only sounds well. After the end of the first part, the right hand again begins to modulate, of which this may serve as an example: §. 4. When the tutti is over, one may play like this until the next cadence: